Wednesday, February 28, 2007

Heroes 1x17

Brian K. Vaughn's assessment of "Heroes" is that it's a TV writer's attempt at creating a comicbook-like TV series. Unlike Joss Whedon (of "Buffy the Vampire Slayer") , Tim Kring doesn't have comic con / genre cred, having gained fame from "Crossing Jordan." He misses some fine points and sometimes comes off trying too hard to include genre references (like George Takei's NCC-1701 plates).

Heck, he even (unwittingly, perhaps) makes it seem like a parody of the Silver Age with the overused and uber-silly "Save The Cheerleader..." thing.

But this latest episode ("Company Man") raises the bar for the series, making HRG a thoroughly likeable guy and staging one, nay, two of the coolest powers-based action scenes since Nightcrawler's White House assault in X2. It also utilizes flashbacks effectively in spite of the hokey black and white.


An exciting episode over all with bonus nerd points for casting Eric Roberts as the boss. I'm betting Jeffery Combs or Marc Alaimo will be showing up soon.

It may not be comic book TV, but right now it's damn good TV.

Monday, February 19, 2007

Huwag ka na mag-drama, umalis ka na lang

Kung aalis ka, umalis ka na lang. Huwag ka nang magdrama pa. Hindi ka naman namin sisihin kung mas gusto mong magtrabaho't manirahan sa ibang bansa. Kung yun lang ang paraan para ma-fulfill mo ang pangarap mo, sino ba naman kami para pigilan ka?

Pero please lang, huwag ka nang magpre-press release na pag nanalo si ganito o nanalo si kuwan sa eleksyon ay aalis ka. Ipinapasa mo lang yung responsibilidad eh. Imbes na desisyon mo, ang gusto mong palabasin kasalanan pa namin kaya napilitan kang mag-abroad.

The Fountain

Go see "The Fountain" before it's too late.

At exactly 50% on rottentomatoes, it's the kind of movie that you either love or hate. Haters, of course, are further subdivided into those who didn't get it and those who get it but are savvy enough to understand what the filmmaker is trying to do and how he could've done it better. Sadly there'll be more of the former and too few of the latter. I fall into the happy medium where I love it for what it is wrinkles and all.

And a whole lot of wrinkles there are. Cinematographer Matthew Libatique (also of "Pi" and Requiem...") went wild with textures and extreme close ups of skin and bark, hitting us over the head repeatedly with repetitive visual themes (the stars, the candles, and the lab workstation lights, for example). Not that I'm complaining. Tom (the kung-fu astronaut) breathing on the bark and Dr. Tommy breathing on Izzy's skin is more telling than her story about the Mayan man and his father.

It helps to ignore the narrative. Don't watch with a "Terminator" or "Back to the Future" frame of mind. Trying to make chronological sense of it is futile, unless you consider the past and future as parts of the manuscript, figments of their imagination. Which, in my opinion, weakens the film. There's nothing more astig than the idea (and image) of a guy in a spherical spaceship carrying his wife as a tree speeding languidly towards a nebula while experiencing his personal Buddhist hell.

And if that isn't enough to make you want to watch, then it probably isn't for you.

Monday, February 12, 2007

Mere Celebrity

Edit(2): My bad, he registered as independent.

missingpoints classic
originally posted: 18 November 2005

Jinggoy Estrada is fuming mad because a school district superintendent released a "patriotism" memo that included an admonition against voting for actors and athletes running for public office. Taking it personally, he says the memo is unfair and risks affecting the impressionable students who may read the letter.

Which is perhaps the reason why Thelma Bueson wrote it in the first place. While we expect a reasonably educated person to be able to discern between deserving candidates regardless of their former profession, it is precisely these impressionable kids in the provinces who may be easily swayed by the kind of popularity Jinggoy and his kind wield.

Of course he had his day grilling the poor superintendent during the DepEd budget hearings. She, of course, could not defend herself for fear of losing her budget. In one of the few senate hearings that actually are useful aids to legislation, Jinggoy managed to act like a bully and waste time over trivial matters.

Woo-hoo, score one for the competence of actors in public office.

* * * * *

The biggest mistake actors make when trying to justify their political careers is assuming that their profession is at par with, say, a lawyer or a doctor or an engineer in terms of preparing them for political office. To the insecure actor, these are all just "jobs other than politician," leading him (and his gullible voters) to conclude that they all stand an equal chance of being good at public service, eventually.*

Not everyone is cut out to be a public servant in terms of aptitude and training. While a lot of people (out of work actors, especially) may claim to have "a heart for the poor and oppressed," we all know that being well-meaning is never enough. The old saying about the road to hell applies.

It's not that actors or athletes do not put any effort at all in order to attain success or that no successful professionals are slackers, it's just there's something wrong with assuming that the requirements for succeeding in each profession are more or less the same, employing a similar set of skills and qualifications. There are professions that can better prepare you for a life of public service and there are professions like acting and playing pro basketball.

As I've argued before in one of my most forwarded posts ("That's Entertainment"), an MBA can boast of management skills, an engineer understands how systems work, and a doctor understands the scientific method. These acquired proficiencies should assure us of their ability
to understand and be competent in the position we elected them to.

An actor, on the other hand, trains to adopt character traits and project emotion. He studies how to connect to audiences and make them feel a certain way. And while this, ironically, helps him win elections by convincing the most gullible, it hardly prepares him for the job that follows: actual management of a city or crafting legislation.

They can, as most basketball player candidates do, claim discipline and teamwork as values essential to being a good councilor or mayor. But that just insults other professionals who have as much claim to discipline and teamwork.

Of course I am being generous in assuming that they are actors in the true sense of the word. Real thespians who take their art seriously and, like other professionals, strive to improve themselves and their work, can be credited with at least the professional discipline needed to adapt to another career.

A lot of showbiz candidates, however, are just celebrities. A euphemism for "people who are famous although we don't know why."

In this country being an artista is not difficult. All one needs is a mukha that is both maganda and makapal. Real acting talent is not given as much importance as family connections coupled with the willingness to "play the game" (e.g. kiss Alfie Lorenzo's ass).

Premium is placed on pakikisama rather than actual talent (or even appeal as is the case with Willie Revillame), leading us college-educated professionals to wonder why they're making so much more money.

So a serious actor, despite (or perhaps because of) his training, is most likely not the best possible candidate for political office. What more a mere celebrity like, say, a fat "action star" living off his father's name?

* * * * *
*"Eventually" being a relative term, of course. The time frame for actually improving from neophyte to acceptable levels may vary, from "getting past the honeymoon stage" (a few weeks) to "becoming seasoned" (several years) to, in Jinggoy's case, "when pigs fly."


Wednesday, February 07, 2007

I'm a PC

Let's face it, John Hodgeman is way cooler than Justin Long. Sure, he may seem cool, but it's the kind of cool that shouts "Hey, I'm cool" right in your face. Resident expert Hodgeman on the other hand, just radiates an understated cool, like saying I can do a lot of things but I don't need to let everyone know.

Instead of getting people to switch, the Apple ads might even do the opposite, reinforcing the idea that Mac users are a smug, self-congratulatory lot whose only credential is having enough money to buy one. I'd give props to a scraggly, bearded Unix guy over them anytime.

Anyway, here's something from The Guardian on the Brit version of the Apple ads that says pretty much the same thing, with much more vitriol (and comedy). The comments section is a great read. It seems that Mac users still think we get blue screens a lot, while PC guys haven't heard of the new Mac mouse.

My favorite comment is spot on: "Simply put, Macs are like a police state, you can't mess up the system because the choices of that you can do are very limited. PCs are like a Republic, lots more freedom of what you can do, but then again that also gives you more chances to screw up." It also reflects my take on systems of government.

Oh well, bottomline is you're not defined by the gadgets you use, it's the other way around, regardless what ad makers say.

Thursday, February 01, 2007

I bet Carl called it in


Hah! A mooninite gives them the finger and all of Boston jumps.

C'mon, give the terrorists some credit. Why the hell would they make a bomb look like a bomb, with wires and batteries sticking out? And why would they put a cartoon character on it?